Comments on Blue Guide Crete

This completely re-written new edition of Blue Guide Crete focuses on the long history of the largest Greek island, from Minoan civilization to the present day. It includes detailed coverage of the major resorts and archaeological sites, Venetian and Ottoman architecture, the island's unique landscape and wildlife, and its important history in the Second World War.

View the book’s contents, index and some sample pages, and buy securely from blueguides.com here»

Read our articles about Crete here.

 

  •  
  • 16 Comment(s)
  •  
Gravatar: Patricia CavenderPatricia Cavender
28.05.2018
11:30
Comments on Blue Guide Crete

I have a few more updates for you, this time from Chania.

1. Reference page 326, the Byzantine museum is now open. Tues-Sunday 8:00-3:00.

2. The Folklore museum, reference page 333, has different opening hours. Now Mon-Sat 9:00 am to 5:00 pm, and Sun 11:00-6:00. There is a woman in there who collects the money (2 euros) who also does embroidery, and sells the embroidered wall hangings. The level of her artistry is unbelievable. I'm mulling over spending a great deal of money on a large one and likely will do just that tomorrow. I don't think I'll ever see anything like it again.

3. We're not going to Aptera, page 341, in part due to my antipathy for mountain driving, but the site is now open per the Chania Tourist Office. Tuesday-Sunday 8:00-15:00.

4. We went to Elafonissi yesterday, see page 380. It is indeed an idyllic spot. Here is the value-added travel tip: travelers should walk across to Elafonissi Island, then through to the other side of the spit of land there. There is a wood-post-and-rope fence preventing people from roaming on the island; the post-and-rope lays out an easily seen passageway to the other side. You can see one side from the other, it's a one minute walk. The beaches on that other side are more beautiful by far. There are a great many more rock formations in the water and onto the beach, along with the same clear blue water. It has a lot more visual interest. Corfu was hard to beat but I think that's the most beautiful beach I've ever seen. It would be very easy to miss seeing it. There were only about 20 people there yesterday. An aerial view of Elafonissi makes it easier to understand; it's the "other" side of the spit of land on the left end of the little island.

Gravatar: Patricia CavenderPatricia Cavender
28.05.2018
11:04
Comments on Blue Guide Crete

Dear Blue Guides,
I'm writing to you from Heraklion, Crete, and have some updated information to share with you.

First, let me say that I am quite happy to have found your guide books. I've used Michelin Green guides for years, but there isn't an English-language one for Crete. I googled information on other guide books, and read that Blue Guides were "encyclopedic", which sounded perfect!

In Malia, at the site of the antiquity Palace of Malia, please reference page 124 in your current Blue Guide Crete. Quartier Mu is now open for viewing. Work is still being done there, and it's covered with that same protective roof, which offers nice shade. There is a well -laid out walkway going around the site, with good signage about the different areas which were excavated.

For Heraklion, I have 2 updated pieces of information for you. Please reference page 50. The Church Agia Aikaterina Sinaites is now open, as the Museum of Christian Art. It is open Monday to Saturday 9:30 to 19:30, and Sunday 10:30 to 19:30. The museum is small but well laid out, and the icon information is well presented. I had seen a number of Damaskino's icons in the Benaki Museum in Athens, and enjoyed seeing more of them, in Crete where they were made.

The 2nd piece of Heraklion information is about Agios Matthaios Sinaites, again reference page 50. It has re-opened. When I went in, a nun and another woman were chanting and reading prayers, with a few congregants sitting in the small church. The lighting is dim, the interior intimate and filled with icons. Together with the chanting, it was lovely. I stayed for a very peaceful half hour. The small sign re the hours was only in Greek, but I'm Greek-American, so I took a photo and can translate it. It states the Liturgical hours are 7:00 am to 12:00 pm, and 5:00 pm to 7:00 pm.

Gravatar: Ulrich G. Weiss Ulrich G. Weiss
29.03.2018
08:46
Meets the usual standard of the Blue Guides [Amazon review]

This guide has everything you need to know about the island. Particularly useful for people interested in Byzantine churches and frescoes, the map and directions to churches are very helpful, as the information given on Crete is not always correct from websites. A word of warning for Panaghia Kera Church near Krista, it was closed on Monday, at least in March, luckily went on a Sunday. Otherwise the hours and information were correct, but the opening times of places in Crete seem to change at will. This is more of a cultural guide than for people looking for restaurant info and hotels, I use the web for that.

Gravatar: suejsuej
15.05.2015
08:47
If a Mediterranean vacation is in your plans [Amazon review]

This is one of three guides I have and is easily the best especially if you are interested in the history of Crete. But even if you're not, it is a mine of information, as well as useful recommendations for accommodation and eating (we tried a few of the recommended restaurants and weren't disappointed in any of them). It's divided into different geographical sections, each beginning with a history of the place, then recommended places to visit, with the emphasis on historical sites and museums but other places of interest as well. There are guided walks and drives, with masses of background information. There is also practical stuff about travel, where to stay, (with price guides) tourist information, where to eat (also with price guides), shopping and markets, festivals and events, walking, and recommended further reading. The detail on places like Knossos is great - I can safely say that it's all we needed to guide us round the site. Highly recommended.

Gravatar: ellen "ellen in atlanta" ellen "ellen in atlanta"
12.07.2014
08:46
This book is amazing [Amazon review]

My people all came from this lovely part of Greece. This book is wonderful because it shows the area as it was, with mythical resources to how it is now-complete with hotel, cafe, and travel information. This is a beautiful part of Greece where there is poverty, pride, gorgeous orchards, magnificent views- and very wonderful people. Luxury hotels take advantage of the beauty of this mystical place and gives the tourist a one stop shop to see a gorgeous part of Greece. The places you have heard about all your life--Argos, Sparta, etc.all are there to explore.

Gravatar: PublisherPublisher
07.06.2012
00:00
reply

Thank you Christine. We’ll mention it to the author for the next edition.
 

Gravatar: Christine LacroixChristine Lacroix
12.05.2012
00:00
COMMENT

A recent visitor to our olive mill was carrying a copy of your guide to Crete and asked me why we were not listed in it. I thought it a good idea to write and let you know. Thank you!
   

Gravatar: Geoff Needle author of the "CRETE WALKS" booksGeoff Needle author of the "CRETE WALKS" books
30.05.2011
00:00
COMMENT

Hello Sirs,
I have just completed two books each describing 25 different walks through the countryside of the Apokoronas region of NW Crete. I attach a sheet with further details of these two new books. They will be available in the next few weeks. Perhaps you can make reference to these books in your next update. My two books do not compete with the two books by Lance Chilton that you refer to under the section on “Georgiopoulis” as my walks cover all of the Apokoronas region, not specifically one smaller area. Also, in my excellent 8th Edition (2010) of your Blue Guide Crete you refer to the Apokoronas region as “THE APOKORONA DISTRICT. I think you left the last “S” off. Thanks and best regards, Geoff Needle P.S.
Your book is brilliant even if you don’t mention my books.

Gravatar: Dirk DraaismaDirk Draaisma
30.08.2010
00:00
COMMENT

Re the Editor’s note on transliteration of the chi and the gamma. I am very pleased you now write Chania instead of Hania. About the gammas in Georgios etc.: isn’t it so that as a rule they are pronounced like ‘y’ because the are followed by an ‘e’ or ‘i’, regardless of the fact that the gamma is pronounced softer or harder on Crete than on the mainland. Isn’t the latter only the case if followed by an ‘a’ or ‘o’?

Gravatar: Ersie BurkeErsie Burke
22.08.2010
00:00
COMMENT

I’ve just returned from a 10 day trip to Crete where I visited friends and did a little research. The guide was wonderful and never left my side. I want to thank Paola Pugsley especially for information that led me to the convent of Chrysopigi (p. 340) and to the coat of arms of the convent’s early patrons, a family I’m doing some work on.
Could I offer one small correction? On p. 327 (Cretan Icons) you state there was a “…Greek confraternity of painters operating in Venice…” There was never a Greek confraternity of painters; all painters (of houses, icons, and anything else) had to, by law, be members of the painters’ guild (arte dei depentori). There was a Greek confraternity (scuola in Venetian), the Scuola di San Nicolò dei Greci founded in November 1498; membership was open to all Greek men and women (regardless of occupation). For reasons too complex to go into here, very few Greek icon painters (called madonneri and all were Cretans) joined San Nicolò. E. Burke

Gravatar: Minerva MagazineMinerva Magazine
22.08.2010
00:00
Review in Minerva Magazine

“The Blue Guide Crete is a must for any traveller wishing to visit this fascinating Greek island. It provides a comprehensive range of information that would be useful to archaeological and historical enthusiasts, the armchair researcher, and will even provide an excellent complement for the more seasoned academic.”
The full Minerva Magazine review can be read here.
   

Gravatar: EditorEditor
10.05.2010
00:00
reply

Sorry, I thought the symbols were obvious, especially with the relevant text! The symbols on Akrotiri are churches. One of them is ruined.
Yes, three dots is a ruin, usually an ancient one.
 

Gravatar: ReaderReader
08.05.2010
00:00
SYMBOLS

L.S.,
I am (already before my trip to Crete) very enthusiastic about your guide of Crete. However, I could not find the explanation of the black symbols on the maps on the pages 428 - 431. I think I understand the “three dots” (ruin?) and the cave symbol.
But what is the meaning of the 2 different symbols on the peninsula of Akrotiri (428C1)? Please can you tell me where I can find the explanation?
 

Gravatar: Kees KampKees Kamp
16.02.2010
00:00
CORRECTIONS

A very readable guidebook.
Two small corrections: Page 109: The coastal road east of Keratokambos ends in Arvi. From there you can’t reach Myrtos, but have to bend North to reach the main road again. Page 269: The correct webadress for Hotel Hellas is http://www.palaikastro.com/hotelhellas
 

Kees Kamp
Gravatar: Sylvia CookSylvia Cook
12.02.2010
00:00
COMMENT

I’m very impressed with the new Crete Blue Guide. My old Greece mainland Blue Guide is great for getting local historical details, but this one has that AND ‘readability’, pictures as well as site plans, a thoroughly well put together book. I’m looking forward to the other Greek islands Blue Guides which I understand will be out later this year.
   

Gravatar: ReaderReader
28.01.2010
00:00
COMMENT

I am taking a break from reading your guide to Crete which arrived yesterday. It is absolutely gorgeous. Like your wonderful new version of the Mainland Greece guide it is packed with the high standard of information we expect from Blue Guides but with a modern touch; thank goodness that doesn’t mean you have ‘dumbed down’. I love everything about it: the fabulous photos; the glossy, lovely to touch, paper; the reading recommendations in relevant places, and the ‘boxes’ with additional background information. It is book to pore over before a visit as well as to have on every site and journey in Crete.
I am glad you have retained directions for those of us who hire cars and drive from site to site; I may prefer the old format for those, but that’s being picky.
Well done Paola Pugsley, it was worth all that hard work!
The book arrived just as I am compiling a reading list for two groups I am leading in Crete this Spring; it will be my top recommendation, as is your Mainland Guide for tours I lead there.
many thanks
 

Your comment

Notify me when someone adds another comment to this post

back

Hungarian pioneer of hand-sanitisation

How many of us today, while methodically washing our hands in the hope of staving off Covid-19, think of Ignác Semmelweis? How many of us have even heard of him? Semmelweis (1818–65) is not widely known around the world but he is a familiar name in Hungary. Budapest's medical school is named after him and he has gone down in history as the ‘saviour of mothers’ because his pioneering methods saved many women and infants from death by puerperal fever. Semmelweis’ theories were revolutionary for his time. And now, his insistence on the importance of disinfection to halt the spread of contagion has been brought once again under the spotlight as we are once again reminded of its importance. Semmelweis was ahead of the curve in his grasp of the importance of hand-washing: his hunch was borne out by significant decreases in the rate of mortality on obstetric wards under his supervision. Despite this, his idea was rejected by the established medical community, who were offended by the suggestion that a patient's death could be imputed to the medical staff's personal hygiene. What made things more difficult for Semmelweis was the fact that he was a practitioner, not a scientist. His theory could be explained as a hunch that seemed to work but he had detected nothing through a microscope that could furnish scientific explanation and proof. He never gained the reputation he deserved during his lifetime. In fact he suffered some kind of mental and emotional breakdown and began lashing out in print at the ignorance and obstinacy of the medical fraternity. In the end he was transferred to an asylum in Vienna, a move supported by his wife, who was no longer able to cope with his tantrums. He died very shortly after his admission, perhaps as a result of ill-treatment.

Semmelweis’s former home in Budapest is now a museum of the history of medicine (described in full in Blue Guide Budapest). His theory, of course, is fully recognised today. Named after him is the phenomenon known as the Semmelweis reflex, the human tendency to reject or ridicule new ideas if they fly in the face of accepted convention.

‘The Global Eye’, running at the Biblioteca Medicea Laurenziana in Florence until the end of May, is an exhibition devoted to the collection of Dutch, Spanish and Portuguese maps purchased by Cosimo III on his second journey to Holland in 1667–9 (before becoming grand-duke). A conference in November 2019, organised by the Dutch Institute in Florence, illustrated the close ties between the Dutch Republic and Cosimo III, who took a great interest in cross-cultural issues. The 82 maps (a selection of which are on view, accompanied by remarkable digital supports) represent many areas of the known world including parts of Japan, Africa, and even a unique plan dated around 1660 of ‘New Amsterdam’, when still part of the Dutch colony that a few years later was renamed New York, when the British took over. The maps were kept for a hundred years at the Villa di Castello on the outskirts of Florence, seat of the Accademia della Crusca (Cosimo III was an academician of the Crusca and their first dictionary, published in 1691, was dedicated to him in its 3rd edition). The villa itself is not generally open to the public but its garden is one of the most important of all those attached to Medici villas in the surroundings of Florence (and is fully described in Blue Guide Florence). The maps were moved for safety to the Biblioteca Laurenziana in 1921; this is the first time they have been fully studied and a catalogue raisonné provided. Visiting this fascinating small exhibition also gives you the chance to see (off the cloister of San Lorenzo) Michelangelo’s reading room with its famous vestibule, one of the most extraordinary architectural works in Florence.


by Alta Macadam, author of Blue Guide Florence.

‘The Global Eye’, running at the Biblioteca Medicea Laurenziana in Florence until the end of May, is an exhibition devoted to the collection of Dutch, Spanish and Portuguese maps purchased by Cosimo III on his second journey to Holland in 1667–9 (before becoming grand-duke). A conference in November 2019, organised by the Dutch Institute in Florence, illustrated the close ties between the Dutch Republic and Cosimo III, who took a great interest in cross-cultural issues. The 82 maps (a selection of which are on view, accompanied by remarkable digital supports) represent many areas of the known world including parts of Japan, Africa, and even a unique plan dated around 1660 of ‘New Amsterdam’, when still part of the Dutch colony that a few years later was renamed New York, when the British took over. The maps were kept for a hundred years at the Villa di Castello on the outskirts of Florence, seat of the Accademia della Crusca (Cosimo III was an academician of the Crusca and their first dictionary, published in 1691, was dedicated to him in its 3rd edition). The villa itself is not generally open to the public but its garden is one of the most important of all those attached to Medici villas in the surroundings of Florence (and is fully described in Blue Guide Florence). The maps were moved for safety to the Biblioteca Laurenziana in 1921; this is the first time they have been fully studied and a catalogue raisonné provided. Visiting this fascinating small exhibition also gives you the chance to see (off the cloister of San Lorenzo) Michelangelo’s reading room with its famous vestibule, one of the most extraordinary architectural works in Florence.


by Alta Macadam, author of Blue Guide Florence.

‘The Global Eye’, running at the Biblioteca Medicea Laurenziana in Florence until the end of May, is an exhibition devoted to the collection of Dutch, Spanish and Portuguese maps purchased by Cosimo III on his second journey to Holland in 1667–9 (before becoming grand-duke). A conference in November 2019, organised by the Dutch Institute in Florence, illustrated the close ties between the Dutch Republic and Cosimo III, who took a great interest in cross-cultural issues. The 82 maps (a selection of which are on view, accompanied by remarkable digital supports) represent many areas of the known world including parts of Japan, Africa, and even a unique plan dated around 1660 of ‘New Amsterdam’, when still part of the Dutch colony that a few years later was renamed New York, when the British took over. The maps were kept for a hundred years at the Villa di Castello on the outskirts of Florence, seat of the Accademia della Crusca (Cosimo III was an academician of the Crusca and their first dictionary, published in 1691, was dedicated to him in its 3rd edition). The villa itself is not generally open to the public but its garden is one of the most important of all those attached to Medici villas in the surroundings of Florence (and is fully described in Blue Guide Florence). The maps were moved for safety to the Biblioteca Laurenziana in 1921; this is the first time they have been fully studied and a catalogue raisonné provided. Visiting this fascinating small exhibition also gives you the chance to see (off the cloister of San Lorenzo) Michelangelo’s reading room with its famous vestibule, one of the most extraordinary architectural works in Florence.


by Alta Macadam, author of Blue Guide Florence.

‘The Global Eye’, running at the Biblioteca Medicea Laurenziana in Florence until the end of May, is an exhibition devoted to the collection of Dutch, Spanish and Portuguese maps purchased by Cosimo III on his second journey to Holland in 1667–9 (before becoming grand-duke). A conference in November 2019, organised by the Dutch Institute in Florence, illustrated the close ties between the Dutch Republic and Cosimo III, who took a great interest in cross-cultural issues. The 82 maps (a selection of which are on view, accompanied by remarkable digital supports) represent many areas of the known world including parts of Japan, Africa, and even a unique plan dated around 1660 of ‘New Amsterdam’, when still part of the Dutch colony that a few years later was renamed New York, when the British took over. The maps were kept for a hundred years at the Villa di Castello on the outskirts of Florence, seat of the Accademia della Crusca (Cosimo III was an academician of the Crusca and their first dictionary, published in 1691, was dedicated to him in its 3rd edition). The villa itself is not generally open to the public but its garden is one of the most important of all those attached to Medici villas in the surroundings of Florence (and is fully described in Blue Guide Florence). The maps were moved for safety to the Biblioteca Laurenziana in 1921; this is the first time they have been fully studied and a catalogue raisonné provided. Visiting this fascinating small exhibition also gives you the chance to see (off the cloister of San Lorenzo) Michelangelo’s reading room with its famous vestibule, one of the most extraordinary architectural works in Florence.


by Alta Macadam, author of Blue Guide Florence.

With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world.

For my involvement in the Blue Guides to Italy (Blue Guide Rome has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for Blue Guide Northern Italy when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976).

We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all.

Alta Macadam. Florence, 10th March 2020

With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world.

For my involvement in the Blue Guides to Italy (Blue Guide Rome has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for Blue Guide Northern Italy when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976).

We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all.

Alta Macadam. Florence, 10th March 2020

With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world. For my involvement in the Blue Guides to Italy (Blue Guide Rome has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for Blue Guide Northern Italy when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976). We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all. Alta Macadam. Florence, 10th March 2020

With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world. For my involvement in the Blue Guides to Italy ("Blue Guide Rome" has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for "Blue Guide Northern Italy" when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976). We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all. Alta Macadam. Florence, 10th March 2020

With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world. For my involvement in the Blue Guides to Italy ("Blue Guide Rome" has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for "Blue Guide Northern Italy" when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976). We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all. Alta Macadam. Florence, 10th March 2020

Latest

Travel articles
Letter from Italy
Florence: Forged in Fire
European rail changes for 2020
An Artist of the World
Food guide for River Café
SPQR and expressions of Rome
The Seuso Treasure: a new display
Life in Color
Hungary Food Companion
Baroque-era spinach patties
Perfect paprika chicken
A spring recipe from 1891
News from Florence
Gellért 100
Unsung Hero
The Corvina Library
Modernists and Mavericks
Dracula: An International Perspective
Lorenzo Lotto: Portraits
Leonardo's Leicester Codex
A tale of two Camparis
Best restaurants in Brescia
Budapest Art Nouveau
Transylvanian Book Festival
Flawless ... and 100 years old
Extreme dairy farming in Sauris
Islamic Art in Florence
The Seuso Roman silver: on display at last
The Wonders of Pontormo
Builders of Budapest
Crowded Times
Good news from Florence
The Heartwarming Middle Ages
Waves of Art Nouveau
Bookshops in Budapest
Budapest at the Biennale
Living with Leonardo
The Zeugma Mosaics Saga
News from Syracuse
Raphael in Bergamo
Titian in Brescia
Comments and Updates on Blue Guide Budapest
Heroism on the Danube
The 'Romanesque Hall' in Budapest
Dürer in Milan
Re-interpreting the Trojan Horse
Charles I: King and Collector
Fleming and Honour Remembered
Pictures from Lake Maggiore
A late Art Nouveau treasure in Budapest
Anna: Female destinies in Transylvania
What’s on in Florence
Art Within Limits
A Time in Rome
Diana Athill, 'A Florence Diary'
Season’s Greetings
Christmas with the Gonzaga
Aegean Turkey: Troy to Bodrum
Collectors in Florence
European rail changes 2018
A people who changed history
Return to 'A Room with a View'
Italian island food
The Scythians at the British Museum
Rogues' Gallery by Philip Hook
Ferragamo's Return
Silence of the looms
Grammar and Grace
The Seuso Saga
Giuliano da Sangallo
The Black Fields of Kula
Leonardo's "Adoration of the Magi" restored
Venice before Easter
Selectivity at the Uffizi
Guide to the Via Francigena
What Ariosto could see
News from Florence: Giovanni dal Ponte
More than just the David
The formidable Empress Matilda
Life, Art and Kenneth Clark
Hedonist's travel, Hungarian wine
Remarkable Manuscripts
Abstract Expressionism at the RA
Comments on Hungarian Wine: A Tasting Trip to the New Old...
Transylvania Launched
Which 50 Sites of Antiquity?
A Treasure in Cagli
The Transylvanian Book Festival
Comments on Travels in Transylvania: The Greater Târnava...
Roman Brixia
The new Museo degli Innocenti
Wine guide wins prize
Jesters at the Court of the Medici
Budapest, Freedom and the Olympics
The Roman Forum Reconstructed
Bernini's Beloved
Blue Guide Paris on Amazon
The Imperial Ramp in the Roman Forum
Sabbioneta, Cryptic City
Secret delights of Florence: the Bellini private museum
Cutting-edge mosque design in Albania
St Francis in Florence
To Austria’s Lake District by rail
Pilgrimage pathways to and from Rome
Five major London museums
Napoleon and Paris: Dreams of a capital
Whither Tate Britain?
The many lives of Nasreddin Hoca
Lesley Blanch: On the Wilder Shores of Love
The Middle Ages on the Road
Hellenistic bronzes in Florence
Europe by rail - an introduction
Frescoes in a convent of a closed order of nuns
Michelin starred Paris
A Michelangelo discovery?
Jan Morris: Ciao, Carpaccio: An Infatuation
The Venus de Milo fights back
Winter in Florence: a new look at Donatello
Tea (or coffee) with the Sultan
Artwork of the Month: January. Medieval stained glass
Which? ranks Blue Guides #2
Giacomo Leopardi: A poet in film
Sassoferrato and the Aion Mosaic
The Aventine and Turner in Rome
Artwork of the Month: December
Rendez-vous with Art
Rembrandt and the Dutch Golden Age
Giovanni Battista Moroni
London The Information Capital
Changes to European rail services for 2015
Comments on Blue Guide London
Egypt, Greece, & Rome
The Medici Villas of Tuscany and Tourism
Artwork of the Month: November. Reason, Unreason and the...
The first collectors of 'Primitives'
From Pompeii: The Afterlife of a Roman Town
Artwork of the Month: October. The Arch of Constantine
Sorting out the Uffizi
Waging war with a view
Dull London? Surely a mistake
Artwork of the month: September. Watercolour of the Great...
Italian Venice: A History
A tale of three museums
Rissëu
All Aboard the Cheese Train
National Gallery London to allow photography
Artwork of the Month: August. Bust of Augustus Caesar from...
Sacred Splendours: reliquaries of Florence's pious grand...
Book Review. Helena Attlee: The Land where Lemons Grow
Holiday reading
Artwork of the Month: July. The Phaistos Disc
Budapest to Vienna and Salzburg by Railjet
Marvellous and Macabre: the art of Jacopo Ligozzi
David Esterly - The Lost Carving: A Journey to the Heart of...
Artwork of the month: June, Pordenone's Noli me Tangere
Budapest to Serbia by EuroCity Avala
Saving the Great Bear: Trieste's floating crane
News from Florence
Parmigiano-Reggiano cheese
Baccio Bandinelli: a rehabilitation
Artwork of the month: May. "Flora", Pompeii
Travelling around Britain in style
In praise of plague cakes
Princesses from the Trabzon Empire
Artwork of the month: April. The Seuso Silver
Uffizi selfies come to Budapest
Florentine Mannerists at Palazzo Strozzi
Rome: seasonal stations
Sustainable living in Bolzano
Artwork of the month: March. Murillo's Flower Girl
Tastes change
Francesco Laurana's serene beauty
Being Mithridates
Florence and Buda: two cities of learning
Thoughts on Rome
Copyrighting Heritage
Food is the new Florence
A Grumpy Visit to Westminster Abbey
The Honey Of Hybla
So what is the Turkish Van?
The Pike: by Lucy Hughes-Hallett
Smoothly off the buffers
Under Another Sky
'Art under Attack' at Tate Britain
Comments on Smoothly from Harrow
Renaissance art from Florence to Paris and back
Comments on Blue Guide Venice
Hepworth's "Winged Figure": 50th anniversary
Tying the Knot in Urfa
Venice and the Politcs of Washing
Comments on Staten Island: A Blue Guide Travel Monograph
Comments on Short Guide to London 1953
Turin restored and rejuvenated
A palatial art museum in Trieste
The cloisters of Santa Maria Novella
The wonderful Palazzo Grimani, Venice
Pope Benedict: an unorthodox farewell
Obscure St Valentine and his famous Feast Day
Burano in February
The St Agnes lambs
Leonardo’s “Adoration of the Magi” in restoration
Cathedral picks: Exeter
The real Patrick Leigh Fermor?
The joy of Giambattista Tiepolo
Leonardo’s “Battle of Anghiari”
In praise of Venice’s water transport system
The Red Rooms at the Uffizi
The Blue Rooms at the Uffizi
A trip to the Port of Trajan, outside Rome
Pour l’honneur de la France
An early-morning visit to Sant’Andrea delle Fratte, Rome
Church of SS Luca e Martina reopens above Roman Forum
How the tide turned at the Milvian Bridge
A compelling reason to visit Trapani province
St Augustine and his mother at Ostia
Visiting St Paul’s in London
Hadrian, Antinoüs and the Christian Fathers
Earliest-known image of a martyrdom
Can’t face the Vatican crowds? Try San Lorenzo
Turin, Pisa and mathematics
Ideal cities are all around us. It’s simply a matter of...
On Canaletto and Guardi and Venetian Light
Mithraism: a Roman Mystery Religion
Random Musings on Pontormo and Vermeer
The Amphitheatre of Londinium
Edward Lear and Crete
A handful of favourite things to see in Sicily
The mystery of the veiled virgins
Venice without the crowds
Cividale del Friuli and the Lombards
The Trouble with Snake Goddesses
The tragedy of Maximilian, Emperor of Mexico
Oranges, lemons and relic cults: an escape from the queues...
City Picks: Verona
Hitherto unknown language discovered in east Anatolia
Painting of the Day
Museo Barracco: a little-visited gem
Santo Stefano Rotondo in Rome
Staten Island: Upcoming Exhibition …
International Gothic at the Uffizi
Celebrating Santa Rosalia, patron of Palermo
Delhi Ghost Trail
Comments on Pilgrim's Rome: A Blue Guide Travel Monograph
The Roman Villa at Balácapuszta (Baláca, Nemesvámos,...
The Bard of….Messina? Was Shakespeare Sicilian?
Rereading Ruskin
Sicily’s emblem: the Trinacria
Luca Signorelli on exhibition in Umbria
The Tribuna of the Uffizi reopens
The Venice equivalent of the anonymous Tweet?
Comments on Blue Guide Sicily
Sicilian Holiday Reading
Attila the Hun and the Foundation of Venice
Death in Venice cocktail a hit
The Gentry: Stories of the English
381 years ago this June
Brooklyn Bridge: a New York landmark
A Venetian Update
Sixth-century church to reopen
Roman Aquileia
Springtime in Friuli
Northern Italy dining and accommodation recommendations
Al Dente: Madness, Beauty & the Food of Rome
A celebration of Lucca
Romantic music in a Baroque setting
Blue Guide India Delhi Launch
Nikolaus Pevsner: The Life
The Man of Numbers: Fibonacci’s Arithmetic Revolution
Comments on Blue Guide India
The Roman Forum
Whispering City: Rome and its Histories
The 15th-century Health Museum at Edirne
City of Fortune, How Venice Won and Lost a Naval Empire
Books about Istanbul
Comments on Blue Guide Istanbul
Comments on Blue Guide Florence
Constantine: Unconquered Emperor, Christian Victor
Comments on The Venice Lido: a Blue Guide Travel Monograph
Comments on Blue Guide Literary Companions: Rome, London,...
Comments on Blue Guide Italy Food Companion
The 54th Venice Biennale stars Tintoretto
Holy Bones, Holy Dust
RECOMMENDED PLACES TO STAY AND EAT ON CRETE
Delhi: Adventures in a Megacity
Full Circle: How the Classical World Came Back to Us
Comments on Blue Guide Turkey
Comments on Blue Guide Rome
Comments on Blue Guide Hay-on-Wye
Comments on Blue Guide Greece the Aegean Islands
Comments on Blue Guide Crete
Comments on Sites of Antiquity: from Ancient Egypt to the...
Comments on Blue Guide Tuscany
Familiar face
Comments on Blue Guide Concise Italy
Comments on Blue Guide Paris
Comments on Blue Guide New York
Comments on Blue Guide Central Italy
Comments on Blue Guide Southwest France
Blue Guide Northern Italy
Comments on Blue Guide The Marche & San Marino
Comments on Blue Guide Museums and Galleries of London
A day trip to Ostia Antica from Rome - highly recommended
Comments on Blue Guide Southern Italy
Comments on Blue Guide Concise Rome
A day trip from Venice up the Brenta Canal
A day trip to Murano from Venice
Pietrasanta, Pisa: in search of Stagi
Reading list for Venice
Reading list for Florence and Tuscany
Ruskin on Venice
Reading list for Rome
Comments on Blue Guide Greece the Mainland

Archive

follow us in feedly