Bookshops in Budapest
As bookshops continue to close down in cities across the world, the pleasure of browsing becomes ever more difficult to indulge. Shopping online is undeniably convenient, if you know precisely which title you want to buy. But how do you find out about those books you never knew you wanted? Thankfully in Budapest there are still plenty of places where you can give yourself over to the serendipity of the shelves. Here we list our favourites, not in preferential order, but adding them one at a time, as we revisit (and making sure always to leave with a purchase or—in the case of bookshops with cafés attached—to stop for a drink and snack).
1. MASSOLIT
Massolit is a very special place, an old-fashioned bookshop, enticingly and scruffily crammed floor to ceiling with titles on diverse subjects from Archaeology to Zoroastrianism, mainly (but not only) in English. It takes its name from the Soviet literary clique of Bulgakov’s Master and Margarita. A warren of interconnected rooms leads through to a garden courtyard at the back, where you can sit with your book and a drink. There is a bar in the main room where you place your orders (simple food is also available). Although right in the heart of Budapest’s ‘Party District’, well known for its rowdy ruin pubs, Massolit preserves an air of wonderfully nerdy calm, possibly because it serves no alcohol. A chalkboard notice kindly asks co-workers to remember to order something from time to time if they intend to spend all day there on their laptops.
Last visited: 28th May
Book: Selected Poems of Endre Ady
Drink: Cherry juice and soda.
Budapest VII. Nagy Diófa u. 30
Open until 7.30pm.
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2. ATLANTISZ KÖNYVSZIGET
The Könyvsziget or 'Book Island' is a split-level bookstore belonging to the Atlantisz publishing house, whose list is strong on philosophy, history, art, classics and other Humanities subjects. Most of the ground floor is devoted to books in English and other languages. The location is extremely central, right behind Deák tér where three of the city's four metro lines intersect and the terminus of the 100E airport buses. Visitors to Pest's city centre and to the Jewish District will find this bookshop very handily placed. Service is friendly and there are one or two chairs for you sit down while you browse.
Last visited: 29th May
Book: Promote, Tolerate, Ban: Art and Culture in Cold War Hungary
(For a review of the recent exhibition at the Hungarian National Gallery dealing with Communist-era art censorship, see here.)
Atlantisz Könyvsziget
Budapest VI. Anker köz 1–3
Closed Sat from 2pm and all day Sun.
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3. BEERS AND BOOKS
This is an eccentric and deeply delightful second-hand bookshop in Ujlipótváros, Budapest’s 13th District. You go down a few steps into a cool space lined on two sides with bookshelves, and on a third with an array of beers. You can buy either beer, or books, or both. It is also possible to drink a beer while you browse. I chose a bottle from the cool cabinet and it was poured out for me by the taciturnly friendly proprietor and served in a handsome long-stemmed glass. Beer in hand, you can pull up the high-backed faux-leather chair to a shelf of your choice and begin browsing. The offering is mainly in Hungarian but there is a small section of books in English as well. Not a chain, not a franchise, not an imitation of anyone else’s commercial prototype; this is a true Budapest original. The left-field choice of background music adds to the charm: on a scorching hot day in late May we were regaled with 'Santa Claus is coming to Town'.
Last visited: 30th May
Book: Lajos Hatvany: Urak és emberek. A novel trilogy on the history of Budapest Jewry, from their arrival, through assimilation to persecution (for more on Lajos Hatvany, his family story and his brother’s celebrated art collection, see Blue Guide Budapest)
Drink: Monyó Flying Rabbit craft beer (for more on the Monyó brewery see Blue Guide Budapest)
Budapest XIII. Pannónia u. 46/b
Open until 9pm.
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4. BESTSELLERS
Opened in 1992 by accomplished bookseller Tony Láng and still going from strength to strength after over a quarter of a century. Bestsellers has firmly established itself as the go-to destination for people looking for English-language books in Budapest. They have an excellent range of stock over many genres, including children’s books, newpapers and magazines. The section on Hungary and its history is particularly strong. Staff are well-informed and helpful. Browsing here is a delight. The location, slap bang in the heart of downtown Pest, could not be bettered.
Last visited: 31st May
Book: District VIII by Adam LeBor.
Budapest V. Október 6. u. 11
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5. FUGA
The Hermes Udvar or Hermes Court, was built in 1905 for a company specialising in safe deposits. Operated as such until the First World War, after which the building was converted into flats. The architects, Géza Kármán and Gyula Ullmann, are known for a number of early 20th-century buildings in Pest, in a recognisably thickset, Seccessionist style. Today the Hermes Court is home to FUGA, the Budapest Center of Architecture, with a bookshop, café and exhibition spaces. The bookshop is excellently stocked, with a huge array of titles on fine art, applied art, architecture, urban planning etc in Hungarian and English, all enticingly spread out on the enormous central table. There are cosy nooks to sit and have a drink and at the back and upstairs there are exhibition rooms. The shows here are usually free and—naturally enough—take architecture as their subject matter.
Last Visited: 1st June
Book: Budapest Atlantisza by Emőke Tomsics, a study of the development of inner Pest in the late 19th century
Drink: Tomato juice
Budapest V. Petőfi Sándor u. 5
Closed Tues.
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6. RÓZSAVÖLGYI
The Rózsavölgyi building is landmark example of Hungarian Modernism, built in 1910–11 by Béla Lajta. Part of the building is occupied by a chemist’s, the other by a bookshop. Historically Rózsavölgyi began life as a music publisher and shop, run by the son of a popular composer, and there is still a wide range of instruments, scores, sheet music and CDs on sale on the ground floor. At the front is a section of souvenir books and guides. Upstairs there are books on art and architecture, and further up still, the Rózsavölgyi Salon, which hosts muisc and theatre events and has a café (opens an hour and a half before performances).
Last Visited: 4th June
Book: Schirmer Performance Editions, The Classical Era (piano music)
Budapest V. Szervita tér 5.
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7. LÍRA
As the name, ‘Lyre’, suggests, this chain of bookstores specialises in music as well as in the printed word. They have shops well distributed across Budapest, in busy downtown areas of Pest as well as in residential districts of Buda (typically in shopping centres). The offering is wide, with a selection covering fiction and non-fiction, arts and sciences, adults and children and usually with a good range of titles in English and other languages. A link to the list of stores is given below. The illustration above was taken in the Múzeum körút bookshop opposite the Hungarian National Museum.
Last visited: 5th June
Book: Ignác Romsics: A Short History of Hungary
Líra (at many addresses across town; for a list, see here).
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8. HUNGARIAN NATIONAL MUSEUM
The bookshop of the Hungarian National Museum is in the building’s lofty Neoclassical lobby, to the left of the ticket desk. You can visit the shop without entering the museum. Its stock ranges from books to souvenir replicas, maps, posters and postcards. The books are often a motley bunch and it is always worth popping in to browse and to see what new titles have cropped up. There is always a selection in English and other languages. Titles held here are on history, art history and the museum collections themselves.
Last visited: 6th June
Book: The Dowry of Beatrice. Exhibition catalogue on Italian majolica and the court of King Matthias Corvinus
Drink: Sparkling mineral water. The museum has a café in the basement which you can only visit with a ticket. When the weather is fine, you can sit outside in the courtyard.
Budapest VIII. Múzeum krt. 14–16
Closed Mon.
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9. ÍRÓK BOLTJA
The ‘Writers’ Bookshop’ is not only famous for inhabiting the premises of the celebrated Japán Coffeehouse, haunt of artists and poets at the turn of the 20th century. It is also well known as the finest highbrow bookshop in the city. The shelves reach floor to ceiling (the topmost volumes are accessed by ladder) and the titles in stock cover poetry, fiction, philosophy, architecture, history, economics, law, sociology, theatre, gastronomy, design (and more). Books in English and other languages are on the upper gallery. The offering includes books on Budapest and a good choice of Hungarian literature in translation. There are also tables where you can sit and browse. Írók boltja often holds afternoon readings, discussions and other presentations: it is at the centre of a lively literary scene.
Last visited: 7th June
Book: Budapest Írókönyv (Liber ad scribendum). A beautifully presented anthology of archive photographs and extracts from prose and poetry thickly interspersed with blank pages, so you can write your travel journal. (The trouble is, the book is too beautiful to write in.)
Budapest VI. Andrássy út 45
Open until 7pm, daily except Sun.
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10. HUNGARIAN NATIONAL GALLERY
The bookshop attached to the Hungarian National Gallery, in the Danube-facing wing of the former royal palace on Buda’s Castle Hill, has an excellent selection of books and souvenirs. The books on offer include publications on Budapest and Hungary, exhibition catalogues, artist monographs and numerous works on art history, including a wide choice of titles in English. The shop is separated from the museum: you can visit the shop without an entrance ticket. The same is true of the café, which is in the opposite wing of the same building.
Last visited: 8th June
Book: Painting the Town Red by Bob Dent
Drink: Iced coffee
Budapest I. Castle Hill
Closed Mon.
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Hungarian pioneer of hand-sanitisation
How many of us today, while methodically washing our hands in the hope of staving off Covid-19, think of Ignác Semmelweis? How many of us have even heard of him? Semmelweis (1818–65) is not widely known around the world but he is a familiar name in Hungary. Budapest's medical school is named after him and he has gone down in history as the ‘saviour of mothers’ because his pioneering methods saved many women and infants from death by puerperal fever. Semmelweis’ theories were revolutionary for his time. And now, his insistence on the importance of disinfection to halt the spread of contagion has been brought once again under the spotlight as we are once again reminded of its importance. Semmelweis was ahead of the curve in his grasp of the importance of hand-washing: his hunch was borne out by significant decreases in the rate of mortality on obstetric wards under his supervision. Despite this, his idea was rejected by the established medical community, who were offended by the suggestion that a patient's death could be imputed to the medical staff's personal hygiene. What made things more difficult for Semmelweis was the fact that he was a practitioner, not a scientist. His theory could be explained as a hunch that seemed to work but he had detected nothing through a microscope that could furnish scientific explanation and proof. He never gained the reputation he deserved during his lifetime. In fact he suffered some kind of mental and emotional breakdown and began lashing out in print at the ignorance and obstinacy of the medical fraternity. In the end he was transferred to an asylum in Vienna, a move supported by his wife, who was no longer able to cope with his tantrums. He died very shortly after his admission, perhaps as a result of ill-treatment.
Semmelweis’s former home in Budapest is now a museum of the history of medicine (described in full in Blue Guide Budapest). His theory, of course, is fully recognised today. Named after him is the phenomenon known as the Semmelweis reflex, the human tendency to reject or ridicule new ideas if they fly in the face of accepted convention.
‘The Global Eye’, running at the Biblioteca Medicea Laurenziana in Florence until the end of May, is an exhibition devoted to the collection of Dutch, Spanish and Portuguese maps purchased by Cosimo III on his second journey to Holland in 1667–9 (before becoming grand-duke). A conference in November 2019, organised by the Dutch Institute in Florence, illustrated the close ties between the Dutch Republic and Cosimo III, who took a great interest in cross-cultural issues. The 82 maps (a selection of which are on view, accompanied by remarkable digital supports) represent many areas of the known world including parts of Japan, Africa, and even a unique plan dated around 1660 of ‘New Amsterdam’, when still part of the Dutch colony that a few years later was renamed New York, when the British took over. The maps were kept for a hundred years at the Villa di Castello on the outskirts of Florence, seat of the Accademia della Crusca (Cosimo III was an academician of the Crusca and their first dictionary, published in 1691, was dedicated to him in its 3rd edition). The villa itself is not generally open to the public but its garden is one of the most important of all those attached to Medici villas in the surroundings of Florence (and is fully described in Blue Guide Florence). The maps were moved for safety to the Biblioteca Laurenziana in 1921; this is the first time they have been fully studied and a catalogue raisonné provided. Visiting this fascinating small exhibition also gives you the chance to see (off the cloister of San Lorenzo) Michelangelo’s reading room with its famous vestibule, one of the most extraordinary architectural works in Florence.
by Alta Macadam, author of Blue Guide Florence.
‘The Global Eye’, running at the Biblioteca Medicea Laurenziana in Florence until the end of May, is an exhibition devoted to the collection of Dutch, Spanish and Portuguese maps purchased by Cosimo III on his second journey to Holland in 1667–9 (before becoming grand-duke). A conference in November 2019, organised by the Dutch Institute in Florence, illustrated the close ties between the Dutch Republic and Cosimo III, who took a great interest in cross-cultural issues. The 82 maps (a selection of which are on view, accompanied by remarkable digital supports) represent many areas of the known world including parts of Japan, Africa, and even a unique plan dated around 1660 of ‘New Amsterdam’, when still part of the Dutch colony that a few years later was renamed New York, when the British took over. The maps were kept for a hundred years at the Villa di Castello on the outskirts of Florence, seat of the Accademia della Crusca (Cosimo III was an academician of the Crusca and their first dictionary, published in 1691, was dedicated to him in its 3rd edition). The villa itself is not generally open to the public but its garden is one of the most important of all those attached to Medici villas in the surroundings of Florence (and is fully described in Blue Guide Florence). The maps were moved for safety to the Biblioteca Laurenziana in 1921; this is the first time they have been fully studied and a catalogue raisonné provided. Visiting this fascinating small exhibition also gives you the chance to see (off the cloister of San Lorenzo) Michelangelo’s reading room with its famous vestibule, one of the most extraordinary architectural works in Florence.
by Alta Macadam, author of Blue Guide Florence.
‘The Global Eye’, running at the Biblioteca Medicea Laurenziana in Florence until the end of May, is an exhibition devoted to the collection of Dutch, Spanish and Portuguese maps purchased by Cosimo III on his second journey to Holland in 1667–9 (before becoming grand-duke). A conference in November 2019, organised by the Dutch Institute in Florence, illustrated the close ties between the Dutch Republic and Cosimo III, who took a great interest in cross-cultural issues. The 82 maps (a selection of which are on view, accompanied by remarkable digital supports) represent many areas of the known world including parts of Japan, Africa, and even a unique plan dated around 1660 of ‘New Amsterdam’, when still part of the Dutch colony that a few years later was renamed New York, when the British took over. The maps were kept for a hundred years at the Villa di Castello on the outskirts of Florence, seat of the Accademia della Crusca (Cosimo III was an academician of the Crusca and their first dictionary, published in 1691, was dedicated to him in its 3rd edition). The villa itself is not generally open to the public but its garden is one of the most important of all those attached to Medici villas in the surroundings of Florence (and is fully described in Blue Guide Florence). The maps were moved for safety to the Biblioteca Laurenziana in 1921; this is the first time they have been fully studied and a catalogue raisonné provided. Visiting this fascinating small exhibition also gives you the chance to see (off the cloister of San Lorenzo) Michelangelo’s reading room with its famous vestibule, one of the most extraordinary architectural works in Florence.
by Alta Macadam, author of Blue Guide Florence.
‘The Global Eye’, running at the Biblioteca Medicea Laurenziana in Florence until the end of May, is an exhibition devoted to the collection of Dutch, Spanish and Portuguese maps purchased by Cosimo III on his second journey to Holland in 1667–9 (before becoming grand-duke). A conference in November 2019, organised by the Dutch Institute in Florence, illustrated the close ties between the Dutch Republic and Cosimo III, who took a great interest in cross-cultural issues. The 82 maps (a selection of which are on view, accompanied by remarkable digital supports) represent many areas of the known world including parts of Japan, Africa, and even a unique plan dated around 1660 of ‘New Amsterdam’, when still part of the Dutch colony that a few years later was renamed New York, when the British took over. The maps were kept for a hundred years at the Villa di Castello on the outskirts of Florence, seat of the Accademia della Crusca (Cosimo III was an academician of the Crusca and their first dictionary, published in 1691, was dedicated to him in its 3rd edition). The villa itself is not generally open to the public but its garden is one of the most important of all those attached to Medici villas in the surroundings of Florence (and is fully described in Blue Guide Florence). The maps were moved for safety to the Biblioteca Laurenziana in 1921; this is the first time they have been fully studied and a catalogue raisonné provided. Visiting this fascinating small exhibition also gives you the chance to see (off the cloister of San Lorenzo) Michelangelo’s reading room with its famous vestibule, one of the most extraordinary architectural works in Florence.
by Alta Macadam, author of Blue Guide Florence.
With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world.
For my involvement in the Blue Guides to Italy (Blue Guide Rome has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for Blue Guide Northern Italy when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976).
We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all.
Alta Macadam. Florence, 10th March 2020
With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world.
For my involvement in the Blue Guides to Italy (Blue Guide Rome has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for Blue Guide Northern Italy when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976).
We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all.
Alta Macadam. Florence, 10th March 2020
With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world. For my involvement in the Blue Guides to Italy (Blue Guide Rome has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for Blue Guide Northern Italy when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976). We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all. Alta Macadam. Florence, 10th March 2020
With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world. For my involvement in the Blue Guides to Italy ("Blue Guide Rome" has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for "Blue Guide Northern Italy" when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976). We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all. Alta Macadam. Florence, 10th March 2020
With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world. For my involvement in the Blue Guides to Italy ("Blue Guide Rome" has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for "Blue Guide Northern Italy" when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976). We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all. Alta Macadam. Florence, 10th March 2020
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