Currently the posts are filtered by: Suggested Travel Reading
Reset this filter to see all posts.
Holiday reading
We have Blue Guide Literary Companions to Rome, Venice and London.
Books reviewed on these pages:
Rome
Al Dente, Madness, Beauty and the Food of Rome by acclaimed food writer David Winner.
Also David Watkin's The Roman Forum - have archaeologists ruined it?
Whispering City: Rome and its Histories by RJB Bosworth.
Constantine: Unconquered Emperor, Christian Victor by Paul Stephenson.
Full Circle: How the Classical World Came Back to Us by Ferdinand Mount.
Nothern Italy
The Pike, Lucy Hughes-Hallett's "biography of the extraordinary Italian poet, and—well one can hardly begin to say what else—Gabriele d’Annunzio".
Sicily
Inspector Montalbano and the works of Andrea Camilleri.
Venice
The Politics of Washing, Real Life in Venice by Polly Coles "exploring the ‘political’ challenge of how far a newly arrived resident can pull out their underwear (and which garments) on a backstreet (backcanal?) Venetian washing line" compared to William Dean Howells' classic, Venetian Life.
City of Fortune, How Venice Won and Lost a Naval Empire by Roger Crowley.
Ruskin on Venice by Robert Hewison.
Background reading recommended Blue Guide Venice author Alta Macadam: Venice »
Tuscany
The Man of Numbers: Fibonacci’s Arithmetic Revolution. Keith Devlin on Pisa's 13th century mathematical genius.
Blue Guide Florence recommended background reading: Florence »
Italy
The Land where Lemons Grow, the Story of Italy and its Citrus Fruit by Helena Atlee.
Britain
Under Another Sky, Travels in Roman Britain by Charlotte Higgins.
Greece
Patrick Leigh Fermor by Artemis Cooper. Is the the real Patrick Leigh Fermor?
India
Delhi: Adventures in a Megacity by the author of Blue Guide India, Sam Miller.
Istanbul
Orhan Pamuk and other reading recommended by our historical consultant Charles Freeman: Istanbul »
Books about Istanbul
Some suggestions from Blue Guides’ historical consultant Charles Freeman
I haven’t been to Istanbul for some years, so it is good to be going back at last, to set up a tour I shall be leading in October. Of course, I shall be keen to put the new Blue Guide to Istanbul to the test and I have already been browsing. John Freely has alerted me to several smaller mosques that I have never visited so my appetite is already whetted. All my group will have their copies of the Guide but I need to offer them other recommendations.
I was depressed by Orhan Pamuk’s novel Snow, which I read last summer, but have preserved much warmer memories of his Istanbul, Memories of a City, a bittersweet account of his growing up in the city in the 1960s and 1970s (Faber, 2005). Pamuk brilliantly describes the complex and brooding relationships of a family that is trapped between traditional life and the pseudo-western alternative that is replacing it. He mourns the wooden buildings of the old town but in his adolescence he gradually found his own way into the complex and transient cultures that were being erased. So here too is an introduction to the literature of the city, the writers who visited it with their preconceptions and desires. Over the city, for Pamuk, rests huzun, a blanket of melancholia, heavy with the memories of those who have passed through. Has anyone really found a permanent home in a city of such transience? Pamuk suggests not. This haunting and beautifully-written book will certainly be on the list.
Recently out is Peter Clark’s Istanbul, A Cultural History in The Cities of the Imagination series (Signal Books, Oxford, 2010). Clark has never lived in Istanbul but he has family there and a long experience of viewing, as a British Council employee, its impact as the capital of the empire on its former provinces. He has amassed a large repertoire of stories and impressions, of his and others, and writes with a pleasing style. The bulk of the book comes after the Ottoman conquest of 1453; only 45 pages are on the Byzantine Empire and much of this on the empire rather than the city (although this could be justified by his title). As the book continues, it gradually becomes more of an anthology, a pastiche of the stories Clark has picked up in his wide reading or gleaned from his wanderings in the city. While never dull, it really needed to be brought into better order. Chapter Four, on the nineteenth century, jumped from subject to subject, often without any relationship between them. Another chapter is a wander through Belle Epoque Istanbul. I would happily sign Peter Clark as a real guide here but in print, and with few illustrations, the details of each building overwhelm. The chapter ‘Sailing to Istanbul’ is simply a series of vignettes of nineteenth-century travellers who left some memories of their visits. With good editing, however, there is a valuable second edition waiting to emerge from the present text.
So I have gone back to rereading Philip Mansel’s superb Constantinople: City of the World’s Desire, 1453–1924 (John Murray, 1995). I finished it the first time as I was on a boat going up the Bosphorus in the late 1990s and found it magnificently detailed and absorbing. It brilliantly captures the atmosphere and tensions of the city. Much of my work on Istanbul is on its Christian Byzantine past and I have forgotten most of what I learned about the sultans the first time around, so it will be a treat to meet them again in Mansel’s vivid account. He reminds us too just how much Istanbul was part of a wider Mediterranean commercial and political world in the nineteenth century as the European powers tried to fit it into their strategic plans. It remains a great and relevant read nearly twenty years on and so will certainly be on my recommendations list.
To see more details about this book, check the Amazon links below.
Reading list for Venice
This reading list is taken from Blue Guide Venice, 8th edition (2007). And Blue Guide Literary Companion Venice (2009) is an anthology of writing about or set in Venice:
The number of books that have been written about Venice is enormous. Ever since the first published descriptions of the city appeared in the 16th century, writers have been exploring her history, analysing her art and architecture, and using her as the backdrop for works of fiction. The list below gives some of the most recent publications, as well as seminal works of scholarship, or works of unique charm and vision, though these may be less readily available. Where relevant, first editions are given in square brackets, latest editions in rounded brackets.
General background
Paolo Barbaro, Venice Revealed, Souvenir Press (2002)
John Freely, Strolling Through Venice, Penguin (1994).
Christopher Hibbert, Venice: Biography of a City, [1988], Grafton (1990)
Hugh Honour, Companion Guide to Venice [1965], Companion Guides (2001)
Joe Links, Venice for Pleasure [1962], (2003)
Jan Morris, Venice [1960], Faber & Faber (1993)
History and Social history
David Chambers and Brian Pullan, Venice: a Documentary History 1450–1630, Blackwell (1992)
Charles Freeman, The Horses of St Mark’s, [2004], Abacus (2005)
Ralph A. Griffiths and John E. Law (ed.), Rawdon Brown and the Anglo-Venetian Relationship, Nonsuch Publishing (2005)
Jonathan Keates, The Siege of Venice, Vintage (2006)
Frederic C. Lane, Venice: A Maritime Republic, Johns Hopkins University Press (1973)
Mary MacCarthy, Venice Observed [1963]; The Stones of Florence and Venice Observed, Penguin (2006)
Jan Morris, The Venetian Empire: A Sea Voyage, Penguin (1990)
Francesco da Mosto, Francesco’s Italy, BBC Books (2004)
Jane da Mosto and Caroline Fletcher, The Science of Saving Venice, Umberto Allemandi
& Co (2004)
John Julius Norwich, Venice: The Rise to Empire, Alan Lane [1977], and Venice: The Greatness and the Fall, Viking [1981]; reissued as a single volume in paperback as The History of Venice, Penguin (2003)
John Julius Norwich, Paradise of Cities: Venice and its Nineteenth-century Visitors, Penguin (2004)
John Pemble, Venice Rediscovered, Oxford University Press (1996)
Bruce Redford, Venice and the Grand Tour, 1670–1830, Yale University Press (1996)
Margaret Plant, Venice: Fragile City 1797–1997, Yale University Press (2002).
Art history
J. Clegg, Ruskin and Venice, Junction Books (1981)
Ennio Concina, A History of Venetian Architecture, Cambridge University Press (1998)
Patricia Fortini Brown, The Renaissance in Venice (1997); Venice and Antiquity, Yale University Press (1997).
Richard Goy, Venice: the City and its Architecture, Phaidon (1999)
Julian Halsby, Venice. The Artist’s Vision [1990], UnicornPress (2002)
Robert Hewison, Ruskin and Venice, La Stamperia di Venezia (1983)
Paul Hills, Venetian Colour—marble, mosaic, and glass 1250–1550, Yale University Press (1999)
Deborah Howard, Venice and the East: The Impact of the Islamic World on Venetian
Architecture, Yale University Press (2000); The Architectural History of Venice[1980], Yale University Press (2005)
Peter Humfrey, Painting in Renaissance Venice, Yale University Press [1995], (2001)
Ralph Lieberman, Renaissance Architecture in Venice, Frederick Muller (1982)
Mary Lutyens (ed.) Effie in Venice: Effie Ruskin’s Letters Home 1849–1852[1965], Pallas
Athene (2003)
Margaret F. MacDonald, Palaces in the Night: Whistler in Venice, University of California
Press (2001)
Sarah Quill, Ruskin’s Venice. The Stones Revisited, Lund Humphries (2003)
John Ruskin, The Stones of Venice (3 vols) [1851], Pallas Athene (2003)
John Steer, Venetian Painting, Thames & Hudson [1970], (1991)
Arnold Whittick, Ruskin’s Venice (1976)
Literary works and poetry
Robert Browning, ‘A Toccata of Galuppi’s’
Lord Byron, ‘Childe Harold’s Pilgrimage’, ‘Marino Faliero’, ‘The Two Foscari’
Henry James, The Princess Casamassima [1886], The Aspern Papers [1888], The Wings of the Dove [1902]
Thomas Mann, Death in Venice [1913]
Hetty Meyric Hughes (ed.), Venice: Poetry of Place, Eland (2006)
Marcel Proust, Albertine Disparue [1925]
William Wordsworth, ‘On the Extinction of the Venetian Republic’
Modern fiction
Michael Dibdin, Dead Lagoon, Faber & Faber (1995)
L.P. Hartley, Eustace and Hilda [1947]
Donna Leon, crime novels set in Venice. The most recent include Through a Glass Darkly, (2006); Doctored Evidence, (2005); Wilful Behaviour, (2003); Death at La Fenice (2004)
Daphne du Maurier, ‘Don’t Look Now’ (short story in the collection Not After Midnight
[1971], famous as the basis for the Nicholas Roeg film of the same name)
Frederick Rolfe (Baron Corvo), The Desire and Pursuit of the Whole (1934)
Muriel Spark, Territorial Rights, Penguin [1979]
Emma Tennant, Felony, Vintage (2003)
Barry Unsworth, Stone Virgin [1985]
Salley Vickers, Miss Garnet’s Angel, HarperCollins (2001)
Modern non-fiction and anthologies
Milton Grundy, Venice. An Anthology Guide, Giles de la Mare Publishers (1998)
Ian Littlewood, A Literary Companion to Venice, St Martin’s Press (1995)
David C. McPherson, Shakespeare, Jonson and the Myth of Venice, University of Delaware Press (1990)
Michael Marqusee, Venice. An Illustrated Anthology, HarperCollins (1989)
Paula Weideger, Venetian Dreaming, Pocket Books (2004). A memoir of a year spent living in the Palazzo Donà delle Rose.
Some older histories and descriptions
Horatio Brown, Life on the Lagoons [1884]; Venice: An Historical Sketch [1895];In and Around Venice [1905], Studies in Venetian History [1907]
Shirley Guiton, No Magic Eden, Hamish Hamilton [1972], on Torcello, Burano, and Murano in particular, and A World by Itself:Tradition and Change in the Venetian Lagoon, Hamish Hamilton [1977], the sequel
William Dean Howells, Venetian Life [1866], Northwestern University Press (2001)
Edward Hutton, Venice and Venetia [1911]
Henry James, Italian Hours [1909], Kessinger (2004)
Logan Pearsall Smith (ed.), Life and Letters of Sir Henry Wotton, (2 vols); a vivid insight
into life in Venice in the early 17th century [1907]
E.V. Lucas, A Wanderer in Venice [1914], Indypublish (2005)
Pompeo Molmenti, Venice [1906]
Thomas Okey, Venice and its Story [1910]
Margaret Oliphant, The Makers of Venice [1898]
Lonsdale and Laura Ragg, Things Seen in Venice [1912]; Venice [1916]
Alexander Robertson, Venetian Sermons [1905], Kessinger (2004)
Margaret Symonds, Days Spent on a Doge’s Farm [1893]
Alethea Wiel, Venice [1894], Kessinger (2005)
Reading list for Florence and Tuscany
Taken from Blue Guide Tuscany, 5th edition (2009)
Florence
Gene A. Brucker Renaissance Florence (Wiley, 1969). An excellent and very readable historical introduction.
Margaret Haines (ed.) The Years of the Cupola 1417-1436. A fascinating digital archive of the sources of the Opera di Santa Maria del Fiore in Florence, now available on line at www.operaduomo.firenze.it/cupola.
Amanda Lillie Florentine Villas in the 15th century: An Architectural and Social History (Cambridge University Press, 2005). Provides a careful new interpretation of the countryside around Florence, concentrating on the properties owned by the Medici’s wealthy contemporaries.
John M. Najemy A History of Florence 1200-1575 (Blackwell, 2006). The most recent scholarly work, concentrating on the ‘Elite’ and the ‘Popolo’ as well as the Medici. The shift in emphasis from the ruling family to social history makes this a particularly intriguing book to read.
General Books on Florence
Eve Borsook The Companion Guide to Florence (Collins, first edition 1966; sixth revised edition of 1997, reprinted with corrections 2000). This remains one of the best books ever written on Florence.
Olive Hamilton Paradise of Exiles (Andre Deutsch, 1974) and The Divine Country: The British in Tuscany 1372-1980 (Andre Deutsch, 1982). Following on from Treves’ The Golden Ring, discussing Anglo residents in the region.
Christopher Hibbert Florence: The Biography of a City (W. W. Norton, 1993, reissued 2004). One in a series (others include Rome and Venice, both also by Hibbert) and provides an intriguing general view of all things connected with Florence.
Michael Levey Florence: A Portrait (Harvard University Press, 1996, repr. 1998). An equally intriguing view of Florence as Hibbert’s Florence: The Biography of a City.
Richard W.B. Lewis The City of Florence (Historical vistas and Personal sightings) (Farrar, Strauss & Giroux, 1995). As the title suggests, this book provides a highly personal account of the present-day town.
Giuliana Artom Treves The Golden Ring. The Anglo-Florentines 1847-1862 (Longmans, Green, 1956). One of the first books to discuss the importance of the English residents in Florence.
Tuscan History
Denys Hay and John Law, Italy in the Age of the Renaissance 1380–1530(Longman, 1989). An excellent, scholarly paperback dealing with this specific period.
Harry Hearder Italy: A Short History (Cambridge University Press, 1990, repr. 1996). A very readable paperback which provides an introduction from earliest times right up to the 20th century.
Daniel Waley The Italian City-Republics (Weidenfeld & Nicolson, 1969, repr. 1978).
Describes the rise of the communes in the middle ages, and Lauro Martine’s Power
and Imagination. City-states in Renaissance Italy (Vintage, 1979) carries the story
forward. Waley has also written more specific studies (including Siena and the
Sienese, 1991).
Art History
Bernard Berenson The Italian Painters of the Renaissance (1930 and subsequent editions). A fundamental work, well worth reading for a fresh and clear account of the works of the greatest artists.
Jacob Burckhardt The Civilization of the Renaissance in Italy (1860; repr. 1965, HarperCollins). The classic work on the Renaissance.
Doris Carl Benedetto da Maiano. A Florentine sculptor at the threshold of the High Renaissance, (Brepols, 2006). Beautifully illustrated, providing a careful study of the work of this sculptor.
Mary Hollingsworth Patronage in Renaissance Italy, and Patronage in Sixteenth Century Italy (J. Murray, 1994–96). A serious two-volume study on patronage.
Walter Pater The Renaissance (1873, repr. 1967, Collins). Another classic work on the Renaissance.
Numerous monographs in English on the most famous artists include works published in the last half of the 20th century by Kenneth Clark and John Pope-Hennessy.
The Medici
Christopher Hibbert The Rise and Fall of the House of Medici (Morrow, 1974). Still provides an interesting account of the history of the family.
Dale Kent Cosimo de’ Medici and the Florentine Renaissance (Yale University Press, 2000). One of the most recent books on the Medici.
Nicolai Rubinstein The Government of Florence under the Medici, 1434-94(Clarendon Press, 1968). Still one of the most important works on the Medici family. It was Rubinstein who began the project to publish all the Letters of Lorenzo il Magnifico, continued under the direction of Michael Mallet and Humfrey Butters (the first 11 volumes cover the period 1460–1488).
The Medici Archive Project is an on-going database project which, since 1993, has been concerned with preserving the papers of the Medici grand-dukes, consisting of some 6,429 volumes of approximately 3 million letters. These are preserved in the Archivio di Stato in Florence and the intent is to promote research on them (www.medici.org).
Accounts of life in Tuscany
Kinta Beevor A Tuscan Childhood (Viking, 1993). Of all the many books written by
The English about their lives in Tuscany, this stands out as one of the most sincere
and interesting.
Iris Origo War in Val d’Orcia (Penguin, 1956), an account of the war years. Also, her
autobiography Images and Shadows. Part of a Life (J. Murray, 1970).
Reading list for Rome
Unlike the Blue Guides to Florence and Venice, Blue Guide Rome does not include a list of recommended reading. Blue Guide Literary Companion Rome is due out Dec 2010, a sister volume to the Blue Guide Literary Companion Venice, to be joined by London in Spring 2011.
Hungarian pioneer of hand-sanitisation
How many of us today, while methodically washing our hands in the hope of staving off Covid-19, think of Ignác Semmelweis? How many of us have even heard of him? Semmelweis (1818–65) is not widely known around the world but he is a familiar name in Hungary. Budapest's medical school is named after him and he has gone down in history as the ‘saviour of mothers’ because his pioneering methods saved many women and infants from death by puerperal fever. Semmelweis’ theories were revolutionary for his time. And now, his insistence on the importance of disinfection to halt the spread of contagion has been brought once again under the spotlight as we are once again reminded of its importance. Semmelweis was ahead of the curve in his grasp of the importance of hand-washing: his hunch was borne out by significant decreases in the rate of mortality on obstetric wards under his supervision. Despite this, his idea was rejected by the established medical community, who were offended by the suggestion that a patient's death could be imputed to the medical staff's personal hygiene. What made things more difficult for Semmelweis was the fact that he was a practitioner, not a scientist. His theory could be explained as a hunch that seemed to work but he had detected nothing through a microscope that could furnish scientific explanation and proof. He never gained the reputation he deserved during his lifetime. In fact he suffered some kind of mental and emotional breakdown and began lashing out in print at the ignorance and obstinacy of the medical fraternity. In the end he was transferred to an asylum in Vienna, a move supported by his wife, who was no longer able to cope with his tantrums. He died very shortly after his admission, perhaps as a result of ill-treatment.
Semmelweis’s former home in Budapest is now a museum of the history of medicine (described in full in Blue Guide Budapest). His theory, of course, is fully recognised today. Named after him is the phenomenon known as the Semmelweis reflex, the human tendency to reject or ridicule new ideas if they fly in the face of accepted convention.
‘The Global Eye’, running at the Biblioteca Medicea Laurenziana in Florence until the end of May, is an exhibition devoted to the collection of Dutch, Spanish and Portuguese maps purchased by Cosimo III on his second journey to Holland in 1667–9 (before becoming grand-duke). A conference in November 2019, organised by the Dutch Institute in Florence, illustrated the close ties between the Dutch Republic and Cosimo III, who took a great interest in cross-cultural issues. The 82 maps (a selection of which are on view, accompanied by remarkable digital supports) represent many areas of the known world including parts of Japan, Africa, and even a unique plan dated around 1660 of ‘New Amsterdam’, when still part of the Dutch colony that a few years later was renamed New York, when the British took over. The maps were kept for a hundred years at the Villa di Castello on the outskirts of Florence, seat of the Accademia della Crusca (Cosimo III was an academician of the Crusca and their first dictionary, published in 1691, was dedicated to him in its 3rd edition). The villa itself is not generally open to the public but its garden is one of the most important of all those attached to Medici villas in the surroundings of Florence (and is fully described in Blue Guide Florence). The maps were moved for safety to the Biblioteca Laurenziana in 1921; this is the first time they have been fully studied and a catalogue raisonné provided. Visiting this fascinating small exhibition also gives you the chance to see (off the cloister of San Lorenzo) Michelangelo’s reading room with its famous vestibule, one of the most extraordinary architectural works in Florence.
by Alta Macadam, author of Blue Guide Florence.
‘The Global Eye’, running at the Biblioteca Medicea Laurenziana in Florence until the end of May, is an exhibition devoted to the collection of Dutch, Spanish and Portuguese maps purchased by Cosimo III on his second journey to Holland in 1667–9 (before becoming grand-duke). A conference in November 2019, organised by the Dutch Institute in Florence, illustrated the close ties between the Dutch Republic and Cosimo III, who took a great interest in cross-cultural issues. The 82 maps (a selection of which are on view, accompanied by remarkable digital supports) represent many areas of the known world including parts of Japan, Africa, and even a unique plan dated around 1660 of ‘New Amsterdam’, when still part of the Dutch colony that a few years later was renamed New York, when the British took over. The maps were kept for a hundred years at the Villa di Castello on the outskirts of Florence, seat of the Accademia della Crusca (Cosimo III was an academician of the Crusca and their first dictionary, published in 1691, was dedicated to him in its 3rd edition). The villa itself is not generally open to the public but its garden is one of the most important of all those attached to Medici villas in the surroundings of Florence (and is fully described in Blue Guide Florence). The maps were moved for safety to the Biblioteca Laurenziana in 1921; this is the first time they have been fully studied and a catalogue raisonné provided. Visiting this fascinating small exhibition also gives you the chance to see (off the cloister of San Lorenzo) Michelangelo’s reading room with its famous vestibule, one of the most extraordinary architectural works in Florence.
by Alta Macadam, author of Blue Guide Florence.
‘The Global Eye’, running at the Biblioteca Medicea Laurenziana in Florence until the end of May, is an exhibition devoted to the collection of Dutch, Spanish and Portuguese maps purchased by Cosimo III on his second journey to Holland in 1667–9 (before becoming grand-duke). A conference in November 2019, organised by the Dutch Institute in Florence, illustrated the close ties between the Dutch Republic and Cosimo III, who took a great interest in cross-cultural issues. The 82 maps (a selection of which are on view, accompanied by remarkable digital supports) represent many areas of the known world including parts of Japan, Africa, and even a unique plan dated around 1660 of ‘New Amsterdam’, when still part of the Dutch colony that a few years later was renamed New York, when the British took over. The maps were kept for a hundred years at the Villa di Castello on the outskirts of Florence, seat of the Accademia della Crusca (Cosimo III was an academician of the Crusca and their first dictionary, published in 1691, was dedicated to him in its 3rd edition). The villa itself is not generally open to the public but its garden is one of the most important of all those attached to Medici villas in the surroundings of Florence (and is fully described in Blue Guide Florence). The maps were moved for safety to the Biblioteca Laurenziana in 1921; this is the first time they have been fully studied and a catalogue raisonné provided. Visiting this fascinating small exhibition also gives you the chance to see (off the cloister of San Lorenzo) Michelangelo’s reading room with its famous vestibule, one of the most extraordinary architectural works in Florence.
by Alta Macadam, author of Blue Guide Florence.
‘The Global Eye’, running at the Biblioteca Medicea Laurenziana in Florence until the end of May, is an exhibition devoted to the collection of Dutch, Spanish and Portuguese maps purchased by Cosimo III on his second journey to Holland in 1667–9 (before becoming grand-duke). A conference in November 2019, organised by the Dutch Institute in Florence, illustrated the close ties between the Dutch Republic and Cosimo III, who took a great interest in cross-cultural issues. The 82 maps (a selection of which are on view, accompanied by remarkable digital supports) represent many areas of the known world including parts of Japan, Africa, and even a unique plan dated around 1660 of ‘New Amsterdam’, when still part of the Dutch colony that a few years later was renamed New York, when the British took over. The maps were kept for a hundred years at the Villa di Castello on the outskirts of Florence, seat of the Accademia della Crusca (Cosimo III was an academician of the Crusca and their first dictionary, published in 1691, was dedicated to him in its 3rd edition). The villa itself is not generally open to the public but its garden is one of the most important of all those attached to Medici villas in the surroundings of Florence (and is fully described in Blue Guide Florence). The maps were moved for safety to the Biblioteca Laurenziana in 1921; this is the first time they have been fully studied and a catalogue raisonné provided. Visiting this fascinating small exhibition also gives you the chance to see (off the cloister of San Lorenzo) Michelangelo’s reading room with its famous vestibule, one of the most extraordinary architectural works in Florence.
by Alta Macadam, author of Blue Guide Florence.
With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world.
For my involvement in the Blue Guides to Italy (Blue Guide Rome has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for Blue Guide Northern Italy when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976).
We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all.
Alta Macadam. Florence, 10th March 2020
With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world.
For my involvement in the Blue Guides to Italy (Blue Guide Rome has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for Blue Guide Northern Italy when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976).
We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all.
Alta Macadam. Florence, 10th March 2020
With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world. For my involvement in the Blue Guides to Italy (Blue Guide Rome has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for Blue Guide Northern Italy when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976). We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all. Alta Macadam. Florence, 10th March 2020
With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world. For my involvement in the Blue Guides to Italy ("Blue Guide Rome" has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for "Blue Guide Northern Italy" when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976). We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all. Alta Macadam. Florence, 10th March 2020
With the closure today of the museums and monuments in all of Italy, those of us who visit them also for work are left wondering how such a thing could have happened in our lifetime. We suddenly find ourselves facing a drastic shortage of culture: no libraries, no theatre, no cinema. However, the very direct explanation by Prime Minister Conte late last night made it all too clear how necessary such measures have become in a country where the dreaded Coronavirus is suddenly holding us all hostage. There is no doubt that Italy has trusted leaders in Conte and President Mattarella, and the country’s medical profession are displaying all their dedication and efficiency. There is an evident preparedness in those in places of responsibility and a feeling of teamwork and pulling together in times of emergency. Millions of other Italians have merely been asked to stay at home for the time being. A measure which seems eminently sensible and which should not be a great sacrifice. Who knows how this forced restriction might even foster closer family relationships and make the homes themselves more comfortable. My garden will certainly enjoy greater attention. And with all the benefits of the internet, no one need feel cut off. There is even hope that the closure of museums and monuments will give those great institutions a chance for practicalities impossible when they are open all the time—even if only some radical cleaning, but also perhaps some reorganisation—an almost welcome pause to ‘stand back’ and contemplate themselves and their ‘mission’. I look of course on the rosy side of things, the side for those fortunate enough to have families and homes, but there is a very ugly side of this ‘shut down’, such as the situation in the overcrowded prisons, or that of people cut off from their families who are in hospitals or nursing homes, and the extremely dire economic consequences. This situation is making us all wonder about how we should live our lives in the future, about how long we can expect to enjoy ‘normal’ life in our global world. For my involvement in the Blue Guides to Italy ("Blue Guide Rome" has just been published) it means I cannot set off for Venice and the Veneto for work on a volume coming up for revision: a restriction which has been imposed on me for the very first time by circumstances beyond my control (the only other time this happened to me was when I had to cut short a trip for "Blue Guide Northern Italy" when I was staying in Trieste the day of the terrible earthquake which hit the Friuli in 1976). We can but hope the virus will soon be dominated with the help of everyone round the world and that we will soon return to a life as we know it, if greatly sobered by what has happened to us all. Alta Macadam. Florence, 10th March 2020
