Visitors to southeast Turkey will be familiar with the ‘Gipsy Girl’, the portrait of a young lady (actually a maenad, one of the frenzied followers of Dionysus) exhibited amid tight security at the Gaziantep Museum. The image—featured on the cover of Blue Guide Southeastern Turkey—is now so ubiquitous (second only to the Nemrut Dağ) that it has become the logo for ‘Archaeology in Turkey’; unfortunately in the process the archaeological context of the find has been overlooked. The image was uncovered in 1998–9 during the tail end of rescue excavations when work on the dam was completed and water levels were rising. We know that it came from a villa, one of the many in Zeugma, and on stylistic grounds it is dated to the 2nd century AD. Soon, however, visitors will be able to admire the piece in a context of sorts.
Back in the early 1960s, the villa floor had been unofficially excavated, at which time the mosaic floor was hacked into twelve convenient, portable sections and sold on the international art market. The items found a new home at Bowling Green State University in Ohio, which paid $35,000 for them. Fifty years on, an agreement has been reached and the pieces will be repatriated.
Included among them is another female figure, a young lady with a frightening—or firghtened—look on her plump face and a lot of foliage in her hair. In this case the mosaicist did not reach the heights of the haunted look that has made the ‘Gipsy Girl’ so famous. On the other hand the birds are delightful and the theatre masks (if they are theatre masks) may offer a clue to understanding the composition.
In due course the pieces will be displayed at the Gaziantep Museum and one hopes that all 13 of them will be exhibited together on the floor, not hanging incongruously on the wall, in an atmosphere of less intrusive security and together with a plan of the villa.
By Paola Pugsley. Paola is the author of Blue Guide Southeastern Turkey. Her latest volume, Blue Guide Aegean Turkey: Troy to Bodrum, was published earlier this year.